When you write about Africa, make sure to always include sad and starving characters, advises Kenyan author Binyavanga Wainana in his famously ironic essay “How to write about Africa”, which takes aim at Western prejudices. In the same way that everyday laughter has been excluded from all-too-familiar depictions of the continent, African humour and satire as a form of social and political engagement remains underexplored.
With this edition of Perspectives, the Heinrich Böll Foundation explores some of the approaches and instruments that communities and their NGO partners have developed to create room for community-centred stakeholder participation, and to champion community interests and rights.
On the afternoon of Wednesday, 21 October, xenophobic attacks broke out in Grahamstown. Foreign nationals as well as South African citizens from other parts of the country were attacked, and their shops looted. The Unemployed People's Movement warned police of rising tensions in the community, and convened a community meeting on October 12 to discuss matters with the police.
This report summarises the discussions at the "African Civil Society Winter School on the 2015 Climate Agreement: Re-strategizing and Re-thinking African Climate Action" which was hosted jointly by the Heinrich Böll Stiftung and Pan African Climate and Environmental Justice Alliance in September 2015.
This study aims to assess the proposed dams under the Programme for Infrastructure Development in Africa (PIDA) and their prospects for success, and to inform discussions about how best to allocate scarce development funds.
For decades, the world of development banking was dominated by a few multilateral actors, foremost the World Bank Group as well as regional development banks. In recent years, some established banks have much expanded their scope of operation, while new actors and interests are moving in. A number of national development banks, for example from China and Brazil, have entered the international arena in a big way, often operating far outside of their respective home countries and becoming truly global actors.